Befriending the Commedia Dell'arte of Flaminio Scala by Natalie Crohn Schmitt

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Reprinted in Writings about John Cage, ed. “John Cage in a New Key,” Perspectives of New Music, 20, 1 (1981), 213-230. “Theatre and Children’s Pretend Play,” Theatre Journal, 33, 2 (1981), 213-230. Reprinted in The Drama of the Middle Ages, ed. “The Idea of a Person in Medieval Morality Plays,” Comparativeĭrama, 12, 1 (1978), 23-34. “Recording the Theatre in Photographs,” Educational Theatre Journal, 28, 3 (1976), 376-388. “Academic Theatre,” Educational Theatre Journal, XXVI, 3 (1974), 387-388. “Dramatic Multitude and Mystical Experience: W. “Ecstasy and Insight in Yeats,” British Journal of Aesthetics, 11, 3 (1971), 257-267. “ Oedipus as an Exorcism,” Educational Theatre Journal, XXII, 3 (1970), 249-255. “Impassioned Art: An Interpretation of Tonight We Improvise by Luigi Pirandello,” Western Speech, XXXIII, 3 (1969), 184-191. Nelson (University of Chicago Press, 1972), 292-315. Parts I and II reprinted in abridged form in Medieval English Drama: Essays Critical and Contextual, ed. “Was There a Medieval Theatre in the Round? A Re-examination of the Evidence,” Part II, Theatre Notebook, XXIV, 1 (1969), 18-25. “Was There a Medieval Theatre in the Round?: A re-examination of the Evidence,” Part 1, Theatre Notebook, XXIII, 4 (1969), 130-142. Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature (Evanston, Ill.: Northwestern UP, 1990).īefriending the Commedia Dell’Arte of Flaminio Scala: The Comic Scenarios, (Toronto: University of Toronto Press, 2014).

Befriending the Commedia Dell'arte of Flaminio Scala by Natalie Crohn Schmitt